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| Just sit right back and you'll hear a tale, a tale of
a fateful trip, that started on the tiny screen and grew at a mighty
clip ...
OK, so sue me -- at least I've got your attention. Time was, TV
theme songs were goofball little jingles, like the catchy one from
"Gilligan's Island." They may have stuck
in your brain, but they would never achieve any pop music
credibility, save perhaps the classic TV themes by maestros like Lalo Schifrin ("Mission: Impossible") and Mike Post
("Hill Street Blues," "Law & Order" and many others). Back in
the day, the big three TV networks were generally just too dang
middle of the road to spawn any music people wanted to hear more
than once a week.
But all that started to change in the '90s, with networks like
The WB and FOX targeting younger, hipper audiences with shows such
as "Buffy the Vampire Slayer," "Charmed" and "The X-Files." Theme songs and soundtracks
suddenly started joining the same century as their shows and the
music even helped give programs a cross-media boost, not to mention
something to listen to while waiting for the next episode.
Here are some of our favorite recent songs -- including both
theme songs and soundtracks -- that make up our TV Tunes
playlist: | |
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"Malcolm in the Middle"
How cool is it that a band with the depth and wit of They Might Be Giants sings a TV theme
song? "Boss of Me" is a great dorky teenage anthem with the right
mix of nyah-nyah-nyahs with its yeah-yeah-yeahs. And TMBG lose
nothing by being associated with the show -- in fact it's boosted
the band's career, turning younger viewers onto their earlier
albums. (One wishes TMBG had contributed to a show a decade earlier
-- "Doogie Howser," anyone?) The soundtrack CD
also showcases the show's subtle humor, with bands like the Push Stars and the Screamin' Cheetah Wheelies.
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"The O.C."
While "The O.C." owes a debt to serials such as "Buffy" and
"Charmed" (see below) in its devotion to music, the machine that is
this young teen soap has hit the ground running, already cranking
out four soundtrack albums mixing introspection with poppy
brilliance, mostly by indie bands. Our favorites: A tie, between "Music From 'The O.C.' Mix One" -- which
features the show's haunting theme, "California," by Phantom Planet, as well as Jem's hypnotic "Just a Ride" -- and "Mix Two," with perhaps Death Cab for Cutie's finest tune ("A Lack Of Color") and the Thrills' baby-Beach-Boy tribute, "Big Sur." But all four are stellar and
feature a lot of young bands you owe it to yourself to check
out. | |
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"Six Feet Under"
The show is gone (sniff), but the fabulous music lives on. The Thomas Newman theme is
haunting, but you'll find real juice in the other songs on the two
soundtrack CDs. The mixes are more cross-generational, befitting a
show about a funeral home, creator Alan Ball's fixation on
death and betrayal, as well as the humor that binds families through
the toughest times. The first volume includes Peggy Lee and the Classics IV as well as gems by the Dandy Warhols and Lamb; "Vol. Two: Everything Ends," features
the fabulous rendition of "Feeling Good" by Nina Simone from the final season's
trailer (eat your heart out, Michael Bublé) and Sia's "Breathe Me." (Fans still reeling
from the death of Nate will miss Nirvana's "All Apologies," which was used to such
great effect in two scenes on the show but does not appear on the
compilation. | |
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"Charmed"
Aaron Spelling waded into
pop waters previously on "Beverly Hills 90210," with guest
appearances on the show by the likes of Babyface and that memorable scene after
Brenda and Dylan broke up when Brenda played R.E.M.'s "Losing My Religion" in a continuous
loop. But none of the best moments show up on the soundtrack. The
"Charmed" soundtracks are much more generous. The show's second CD,
"The Book of Shadows," is an all-female roundup of some of the best
talent singing today: Sarah McLachlan, Liz Phair, Dido and Aussie newbie Missy Higgins (just skip right over
that pesky Ashlee Simpson cut). The first volume
has some great moments too, including Love Spit Love's theme, which
has lost none of its bite over the show's many seasons, and quality
cuts by Ziggy Marley, Vanessa Carlton, Third Eye Blind and others. It's
magic. | |
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