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5. "Married ... With Children" (1987)
The
fledgling FOX network was looking for a hit as it took to the air in 1987. And
while no sensible person would expect a crude lowbrow sitcom about a profoundly
dysfunctional family to take off, that's exactly what happened. "Married...With
Children" introduced the world to Al, Peg, Kelly and Bud Bundy, a crude lot who
somehow still seemed to love each other through a haze of lechery, misogyny,
emotional disconnectedness and more. Never destined to be an Emmy winner, the
show lowered the bar for what was permissible on TV and opened a world of
possibilities for shows to follow, most of them on FOX.
4. "The
Simpsons" (1989)
"The Simpsons" has been a historically
influential show just based on the catchphrases it has introduced to
contemporary culture ("D'oh!," "Eat my shorts!," "Eeeeexcellent") but its reach
extends even further. After being hatched as a series of crude shorts played
during "The Tracey
Ullman Show," "The Simpsons" premiered as its own program in midseason 1989
and went on to demonstrate that a weekly animated sitcom could appeal to a broad
audience, thus paving the way for "King of the
Hill," "Family
Guy" and countless others. Perhaps more importantly, "The Simpsons" has
always mixed highbrow humor in with the lowbrow gags, creating a safe harbor for
the brainy even in the intellectual wasteland of Homer Simpson's day-to-day
life.
3. "Buffy the
Vampire Slayer" (1997)
Rarely does a TV version of a movie live
up to the quality of its big-screen counterpart, let alone surpass it. Surely
that was on the minds of whoever scheduled a small-screen edition of the mildly
successful and comically preposterous "Buffy the Vampire Slayer" as a midseason
replacement in 1997, five years after the original film was released.
Expectations couldn't have been any lower. But the series ended up being truer
to creator Joss Whedon's original, darker, more nuanced vision of the story, and
TV's "Buffy" earned a fanatical following. Goes to show that TV adaptations can
produce fantastic shows, that the supernatural can be implemented in a
completely human and believable way, that comedy and drama can exist
simultaneously, and that cheerleaders kicking vampire booty is totally freaking
awesome.
2. "Dawson's
Creek" (1998)
It makes sense for adults to be sensitive and
have problems and complex emotions. But teenagers? What do they have to be all
torn up about? As "Dawson's Creek" taught us, plenty. Premiering on a
fifth-place network as a midseason replacement does not exactly indicate great
chances for success, but after taking to the airwaves in January 1998 on the WB,
Dawson Leery and his pals Pacey, Joey and Jen incorporated highly literate
scripts, generous helpings of emo music, and hitherto untapped wells of teen
angst to create a show that was incredibly popular among young people as well as
older people who liked to imagine that they were that good looking and
articulate when they were young, too. Without "Dawson's Creek," there would
never have been "The
O.C." or countless other distraught teen dramas.
1. "The
Office" (2005)
Fans of the original Ricky Gervais-led British version of "The Office" spent
quite a long time loudly squawking that the American edition, starring Steve Carell, was vastly inferior and should never have been
made. But somewhere along the way those complainers must have stopped to
actually watch the show, and, like the viewing audience in general, they liked
what they saw. Placed on the air with little fanfare by NBC in March 2005, "The
Office" has grown to be a fixture for comedy fans and office workers whose souls
have been crushed. Besides brilliant acting and writing, the show is
distinctively shot in a quasi-documentary style that makes the comedy all the
more realistic and, at times, agonizingly painful.
John Moe is a frequent contributor to MSN, as well as to McSweeney's and National Public Radio. He is also author of the book "Conservatize Me: How I Tried to Become a Righty With the Help of Richard Nixon, Sean Hannity, Toby Keith and Beef Jerky."
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