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Whenever a "Bewitched," "Honeymooners" or "Dukes of Hazzard" film comes along, moviegoers
can't help but wonder if Hollywood has finally run out of ideas.
Sometimes, however, things work the other way. With "Friday Night Lights" returning to NBC and TV
versions of "Crash" and "Thank You for Smoking" in various stages of
development, we're reminded that a smaller-screen version of a movie can
just as easily make us reach for the popcorn as it can make us reach for
the channel changer.
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The Five
Best Movie-to-TV Adaptations
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'Friday Night
Lights'
First came the critically acclaimed
football flick that hung around in theaters much longer than anyone
expected. Two years later, we got the critically acclaimed football
TV show that has hung on far longer than its ratings would normally
allow. Still, NBC maintains confidence in this touching drama about
small town Dillon, Texas, and the players, coaches and fans who see
the green grass of a football field as more like an outdoors church.
Inspired by the "Lights" movie and book, rather than based on them,
the television show focuses on under-pressure first-year coach Eric
Taylor (Kyle Chandler), disabled
former quarterback Jason Street (Scott Porter) and
talented-but-troubled running back Brian "Smash" Williams (Gaius
Charles). Returning for the second-half of its debut season, "Friday
Night Lights" throws a Hail Mary pass at potential viewers this
month -- the only question is whether anyone will catch
it.
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'Buffy the Vampire
Slayer'
It's not often that Hollywood has enough
guts to take a movie and make it into a TV show; it's even rarer
when they bother to resurrect a flop. In 1997, TV newcomer Joss Whedon stumbled
upon a magical formula when he bypassed the box-office
blockbusters and instead focused on a largely forgotten Kristy Swanson clunker.
Shockingly, the concept of a teenage girl destined to battle the
undead was one that needed more room to breathe than the big
screen could allow -- and the casting of future stars Sarah Michelle Gellar, Michelle Trachtenberg, Alyson Hannigan and Seth Green didn't hurt
either. "Buffy" picked up more steam with each of its seven seasons,
and was even regarded by many critics as the best television show on
the air for much of its run. More impressive, however, was the
influence it would eventually yield on the worlds of television, pop
culture and, yes, movies.
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'M*A*S*H'
The
granddaddy of all movie-to-TV adaptations, "M*A*S*H" is still the
model for which all such shows aim -- even if they do end up being
"Uncle Buck" in the end. Two years after Robert Altman's
anti-establishment tale of the 4077th received five Oscar
nominations, the deeply dedicated but slightly demented characters
returned with only the most basic of alterations for the small
screen. Rather than trying to rehash the same moments from the film,
the "M*A*S*H" TV show was content to let the characters expand and
use the familiarity of TV to allow viewers to get to know them
intimately. When the TV phenomenon aired its final episode after 11
seasons (the real Korean War only lasted three years), an amazing 77
percent of the nation was in tears -- it still holds the record as
the highest-rated TV program of all
time.
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'Stargate SG-1'/'Stargate
Atlantis'
There's no Kurt Russell, no James Spader and very few
of those Mastadge elephant-monster thingies, but these two immensely
popular syndicated shows have tapped into the themes of a would-be
movie franchise and transformed "Stargate" into a TV empire. The sci-fi TV
drama took on former "MacGyver" star Richard Dean Anderson and
yielded "SG-1," set a year after the Russell-Spader flick. Ten years
and some 200 episodes later, Anderson's Colonel Jack O'Neil (and
much of his team) has yielded the floor to some newer regulars
(including Beau Bridges), and even a
Sci-Fi Channel cancellation doesn't seem likely to slow down the
juggernaut -- two movies will be filmed this April, completing the
circle. "Atlantis," meanwhile, is currently in the midst of its
third season and continues to stake a "Stargate" claim as the new
"Star
Trek."
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'The Odd Couple'
Is there
room in our collective minds for more than one take on a classic
character? Look no further than "The Odd Couple," which undoubtedly
has just as many people hearing "Oscar and Felix" and thinking Jack Lemmon and Walter Matthau (from the
'68 movie) as they do Tony Randall and Jack Klugman (from the
'70-'75 TV show). Regardless of your preference, you'll likely agree
that Neil Simon's concept of
mismatched roommates was so strong that making "Odd" a success was
just a matter of filling the roles with the right actors.
Remarkably, lightning struck
twice.
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