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Special Feature

Roots
"Roots"
Making History Hip
Television's most inspired historical dramas

By Robert Isenberg
Special to MSN TV


Set aside the dry books, the boring lectures, and the color-coded maps. Never mind the dates or the Teapot Dome scandal or the genealogies of kings. Because history can be fun - as long as it's got great actors and breathtaking plot twists. Don't know much about history? Just turn on the tube. Making history shows isn't cheap, of course. It's expensive to make a lot of anachronistic costumes and build period-accurate sets. Plus there's consulting with experts, hiring sword smiths and stuntmen, and booking flights to exotic locations (the following series were shot in Italy, England, Japan and Crimea, among other far-reaching places). But when these series finally premiere, they boast some of the finest quality on television. Sure, writers and producers take liberties with their material - but so does the encyclopedia. Here is a smattering of television's most inspired historical dramas. They may not help you pass your term paper, but they'll offer a vision of lives once lived. And, really, isn't that what history is all about?

Rome

"Rome" (49 B.C.)
Everybody knows about the rise and fall of Rome. We've read about it in history books, slogged through Shakespeare's "Julius Caesar," and seen the documentaries on the History Channel while waiting for popcorn to microwave. So what is it about "Rome" that makes it so optimus? Is it the beautiful cinematography? The masterful acting? Or could it be the timeless stories themselves - of slaves, centurions, senators and even a future emperor? Somehow, "Rome" has re-excited our interest in classical politics, beyond the limits of "Gladiator" and "Alexander." Will a third season conquer cable? Roma vivat!

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The Tudors

"The Tudors" (1500s)
When we think of Henry VIII, we usually picture a bulky, bearded psychopath with a knack for beheading his wives. But Showtime is more interested in the younger, sexier Henry, the athletic seducer played by Jonathan Rhys Meyers. "The Tudors" has its regal elements - religious turmoil, wars with enemy kingdoms - but, really, it's all about the feisty philandering. Not to mention puffy sleeves.

Watch the Premiere of Season 2: Episode 1

Shogun

"Shogun" (1600)
John Blackthorne would rue the day he washed up on the shores of Japan. Thrown into a pit, forced to take a bath, surrounded by feudal intrigue and beautiful women - how does a brawny English navigator cope? By today's standards, the "Shogun" miniseries, adapted from the ridiculously popular novel by James Clavell, is a little hokey. But, at the time, "Shogun" was a radical television event, with nasty language, naughty bedroom scenes and plenty of katana-based head-chopping. This was also America's first glimpse at Japanese history, focusing on the honor-bound medieval warriors of the Tokugawa period.

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John Adams

"John Adams" (1770s)
By Thomas Jefferson standards, John Quincy Adams wasn't a handsome man. By George Washington standards, his life wasn't all that exciting. But Adams was a Founding Father, a daring statesman, and a fascinating president - the perfect personality for a character actor like Paul Giamatti. No less intriguing was Abigail Adams, who was one of the earliest women's-rights advocates in American history - an equally perfect role for Laura Linney. If you haven't had a chance to flip through David McCullough's 752-page biography, you can cheat and watch HBO's ambitious adaptation.

Video: Clip from miniseries

Roots

"Roots" (1700s-1800s)
Few characters have been more tragic or powerful than Kunta Kinte, the real-life ancestor of author Alex Haley. Kunta Kinte had everything - a wife, a house, training as a warrior - until a pack of pasty slave-traders captured him in the bush and dragged him to America. No series, before or after, has so perfectly captured slavery's savagery. More provocative still: "Roots" showed the origins of Jim Crow laws and the Ku Klux Klan during the grimmest days of the Civil Rights Movement. Granted, Kunta Kinte died in bondage, but his progeny found a tenuous freedom.

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Sharpe

"Sharpe" (Early 1800s)
Life wasn't easy in the British army, especially if your name and rank were Lieutenant Richard Sharpe. Crass, cocky and Cockney, Sharpe managed to personally execute about a zillion French soldiers throughout the Napoleonic wars, and always with flair and cunning. When Bernard Cornwell started writing his "Sharpe" novels in the early '80s, did he imagine they would become a beloved mainstay of BBC America? Did Sean Bean, donning his ruddy buttoned coat as the titular Sharpe, ever imagine becoming a world famous actor? History does not relate.

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Deadwood

"Deadwood" (1880s)
Fans waited patiently for the "tele-films" of "Deadwood" - the HBO movies that would finally put a capper on the Wild West saga. Thanks to awkward contracting and lackluster studio execs, we may never know what happened to Timothy Olyphant, Tolliver, Hearst, Al, Wu and the rest of Deadwood's ruffians. If the "Deadwood" vision had remained intact, we could've expected gun-battling, hiding of bodies, exposed corruption and copious cussin'. The least we wanted was to watch the survivors ride into the sunset.

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The Young Indiana Jones Chronicles

"The Young Indiana Jones Chronicles" (1908-1920)
In his younger years, Dr. Jones seemed to have met everybody and done everything: He played jazz with Louis Armstrong, rode through Mexico with Pancho Villa, fought for the Belgian army, captained a boat down the Congo River, spied in Russia, and went on safari with Teddy Roosevelt. As a vehicle for educational television, "Young Indiana Jones" was a brilliant concept, both educating young viewers and providing enough action to keep them tuned in: daring escapes, trench warfare and shameless affairs with flapper-girls.

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Bands of Brothers

"Band of Brothers" (1940s)
There is no shortage of World War II movies, but when Steven Spielberg and Tom Hanks decided to make "Saving Private Ryan," they upped the ante: heavy on the blood, overcast skies, confusing battle scenes and untimely deaths. In many ways, "Band of Brothers" was a superior production - we got to see real stories, based on real soldiers and their real interviews, culminating in 10 of the most intense episodes ever aired. Experts will point out the numerous inaccuracies, but "Brothers" makes up for it in style and sophistication. Using the trademark handheld photography and muted colors of "Private Ryan," "Brothers" offers a murky vision of the European front. We can only imagine how the sequel series, "The Pacific," will take on Guadalcanal and Iwo Jima. It, too, will likely make history.

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 Robert Isenberg is a writer and playwriting professor. He is co-author of The Pittsburgh Monologue Project.

 

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