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Anybody in Hollywood will tell you: Television is ruled by gimmicks.
The game show with clever rules; the reality show with wacked-out stars
and a million-dollar grand prize; the action series with maze-like twists.
Every new idea has to grab the audience like a fishhook and never let go
until they stop squirming and let the lure take them.
A gimmicky series is the riskiest of all -- if it works, people love
it. If it fails, the producer must live a long, miserable life listening
to how lame his idea was. Here we've gathered some of our favorite TV
gimmicks -- the good, the bad and the cliché-ridden. In some cases,
careers were built on these ideas; in others, actors and producers
crashed, burned and wound up in bankruptcy court. But in the end, the best
ideas are the ones we forget were a gimmick in the first place.
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"ER's" Live Episode Back when "ER" was a powerhouse prime-time drama
(remember those days?), NBC tried a daring experiment to kick off
the show's fourth season: They filmed the premier episode live. And
not just live, but twice live -- one for the East Coast, a second
for the West. More suspenseful than the plot was the fear that they
might mess up -- a camera might shut off, lights might go out or an
actor might forget lines (after all, the episode required 30
separate rooms, 20 speaking parts and about 40 extras). As
insurance, the studio hired extras to play out "spare" scenes, so if
anything went wrong, they could cut away and not lose momentum. This
insurance was never claimed, and the live "ER" episodes are
considered a great triumph in TV history. There's only one debate
still raging: Which version was better, East Coast or West
Coast?
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"24" The
punishing white time code, set against a stark black screen, that
gradually ticks toward the 24-hour mark -- it's become one of the
most suspenseful icons in TV history -- and each season, another
doomed day dawns for "24" fans. What began as a simple gimmick (to
create a single, hyperactive day in the lives of the fictional
Counter Terrorism Unit) now dictates our Monday nights for five
nerve-wracking months. The intricate spy-versus-spy plotting is
always punctuated just before a commercial break, and every hour
concludes with a seizure-inducing cliff-hanger. There's only one
thing more non-stop than the thrills, and that's that damnable
clock.
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"The Real World" What would life be like
without the "original" reality TV show? Whose idea was it to take a
dozen bitchy, attractive rich kids and stick them in a house
together? "The Real World" not only entertained audiences with
quotidian arguments about who should do the dishes and who sucked
face with whom; it also launched a thousand spin-offs, from "The Surreal Life" (even more annoying
people with even less to do) to "Drawn Together" (the vicious animated
parody). Our favorite: "Average Joe," which featured a bunch of
actors pretending to be high-strung contestants and one ordinary guy
from Pittsburgh who wasn't privy to the joke. When it comes to
gimmicks, you can't beat reality TV -- the genre that demands you
turn on the tube to see the real world.
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"Cop Rock" Nothing could have prepared
America for a kick-line of state troopers linking arms over
shoulders and parading through crime-addled streets with
street-smart razzle-dazzle. No series in history ever combined the
cop drama with the Broadway musical so beautifully -- or even tried.
Critics tuned in because it was created by Steven Bochco (the brains
behind "Hill Street Blues"), but they were
horrified to discover Gospel-singing juries and punny episode names
like "No Noose is Good Noose." While musical theater has been a
recurring TV gimmick, "Cop Rock" was widely regarded as the worst
television show of all time, and, after 11 episodes, it brought new
meaning to the term "show-stopper."
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