"Bones" takes on its biggest episode yet, with a
two-hour season premiere (Wednesday, Sept. 3 at 8 p.m. on
Fox) set in London, with Booth speaking at Scotland Yard and Brennan
lecturing at Oxford. And all goes swimmingly until the murder of a
young heiress finds them working together with British police to solve the case,
with evidence being sent back to the Jeffersonian, where the rest of the gang
analyzes it. David Boreanaz talked to the TV press during
a conference call this week to dish on the new season. Here are some
highlights.
On what will happen to Zach this season, based on his murder
confession during the season finale and his eventual
departure:
Zach's not really going anywhere. We will see him
again throughout Season 4 in certain circumstances. We actually just shot an
episode where he got out and helped us solve something and I had to put him back
into prison.
On what's in store for Bones and Booth in Season
4:
Right off the bat, it's really focusing on their relationship
and how that affects how they solve crimes and how they move forward with
whatever case they're working on. We honor and support the character work, and
that's what we strive for on the show, which makes us different from other
procedurals out there. I know Hart [Hanson, the show's creator] has ideas for
some fantasy episodes for getting the two of them in bed. Maybe going into
Booth's past a little bit and seeing where he came from and seeing how that
affects his relationship with her.
On "Bones" being more widely viewed than his two previous series that
had a cult following:
I think what's great about "Bones" is that
it's been embraced by the critics and by a following of people that have really
supported us from the beginning, which in retrospect is the same as the other
shows that I was on. We still remain pretty much under the radar. I still
believe there's a lot of growth for the show. I think the beauty has been its
gradual increase.
On whether there was immediate chemistry between him and Emily Deschanel, who plays Brennan:
When we
first did a test, we had one woman in mind who I thought was going to get the
role. I went in and read with her and another girl, and Emily, too. And after
Emily tested, [producers] saw something in the test that sparked, and that was
the girl. And then you work at it. It's great to have someone who wants to work
at it together, and that's what we do.
On what draws Booth and Bones to each
other:
They're very much alike in a lot of ways, but they're
much not alike, too. I think there's that little kid inside Booth that she
really enjoys, because maybe she lost a part of that because she's so straight
and serious and very literal.
On whether the show has made him an armchair
detective:
I think I'm more interested in the character work
with Booth.
On how Booth will evolve this season:
It will really
get back to Booth's past. We'll see his apartment. We'll see where he's living
this year. One specific idea that I have that I really want to exploit is that
Booth is very charming on the outside. He's got all his shields up, but he's a
guy who was an Army ranger. He was tortured. He got hit in the shins. It'd be
nice to see how Booth gets ready in the morning. See him kind of start the day
and see how hard it is for him. When we do see him, he's always kind of on the
move. He has all his stuff that protects him, but what he's really like
underneath is some good stuff, and I think we'll exploit that this year.
On what impact him being a producer has on the show's story
lines:
It's really a lot of character stuff and ideas, and
implementing them into the story line or scripts.
On following the career path of Bruce Willis, an actor whose first big break was
on "Moonlighting" as a detective with major sexual chemistry
between him and his partner:
I think it was the second season of
"Bones," I bumped into him and he couldn't have been nicer. He was very cool. He
said, "You're doing a great job." And I said, "Well, I'm just following your
lead. I have such high respect for you." It was a really cool
moment.