Broadcast News - By Robert Isenberg

Picture your favorite news reporter: Is it Mike Wallace, stoically facing off with the Ayatollah? Is it Anderson Cooper, trudging through the soggy glade of a war-torn jungle? Or Elizabeth Vargas, trailing the frenzied family of Elian Gonzalez?

What about Murphy Brown, squirting ketchup down a co-worker's blouse?

In reality, we see journalists as serious and edgy -- unflinching in their quest for the truth, or at least nosy and mean-spirited. But when journalists are fictional, they're petty and ridiculous, stumbling through their newsrooms in a fog of stupidity and self-obsession. For nearly 40 years, we've seen screwball reporters, idiotic anchors, nerve-wracked producers and apathetic camerapersons -- and to these journalists, the only thing more important than breaking the story is cracking up.

With the announcement that "Action News" will premiere on FOX this fall -- starring Kelsey Grammer and Patricia Heaton -- there's no better time to look back on TV's greatest newsrooms -- and their dysfunctional denizens. Read all about it!

'Mary Tyler Moore'/CBS

WJM-TV ("The Mary Tyler Moore Show")

Mary Tyler Moore had one of the loveliest smiles in the history of television -- a broad, sunshiny grin that comforted and nurtured, playfully mocked and punctuated a witty zinger. And what could be a more wholesome setting than WJM-TV, where she produced the local six o'clock news for Minneapolis -- arguably the most wholesome city in the world. But in the turbulent 1970s, Moore's Mary Richards was young, unmarried and professional -- a startling combination. Mary Richards had to deal with the egos of her male peers (Murray Slaughter, the self-loathing reporter, and Lou Grant, the managerial blowhard), but she always muddled through with resourcefulness, earnestness and that winning gleam. Katie Couric, take notes.

'WKRP in Cincinnati'/CBS

WKRP ("WKRP in Cincinnati")

Put a buttoned-up gentleman and an aging hippie in a studio together and what do you get? Pit a dictatorial station owner against a well-meaning straight man, and what happens? For a decade, WKRP was a mishmash of conflicting personalities. Using every stereotype in the sitcom playbook, "WKRP in Cincinnati" employed a blonde-bombshell secretary and a pre-shock DJ named Johnny Fever (Howard Hesseman) -- putting the broad in broadcasting. And, like WJM-TV, the receptionist was the highest-paid employee.

'Murphy Brown'/CBS

"FYI News" ("Murphy Brown")

Aggressive, sarcastic and vengeful, Murphy Brown (Candice Bergen) was the perfect TV reporter, shoving her way into press meetings and belittling anyone who got in her way. At "FYI News," Brown was an ex-smoker, ex-alcoholic, unexpected mother and lived with a younger man -- her housepainter, Eldin. Her colleagues were just as ragged: meek Miles Silverberg, therapy-obsessed Frank Fontana, airheaded Corky Sherwood and stony anchor Jim Dial -- a news team that spent the day reporting, griping, fighting for attention and ultimately making up at Phil's Bar. Fondly remembered as the "topical" newsroom, the neurotic FYIers discovered real-life purpose in 1992, when Vice President Dan Quayle attacked Murphy Brown as a poor role model (not for her sadistic pranks, but for being a single mother). Brown fought back with a moving news segment and a pile of potatoes dumped before Quayle's doorstep. Small wonder Murphy couldn't keep a secretary -- and smaller wonder "Murphy Brown" is such a beloved vintage sitcom.

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