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'24'
Never before, and perhaps never again, will there ever be a show
so singularly dependent on the cliffhanger concept than this hit
program about federal agent Jack Bauer and his really, really bad
days. What's most ironic, however, is that "24" has defied the
definition of the word ever since its 2001 debut. Fans of the Kiefer
Sutherland-starring show know that viewership comes with two
promises: (1) Every episode will end with some dangling plot detail
that will leave you hungering for next week and (2) everything will
be wrapped up after that season's 24 one-hour episodes. At least
that was the case for most seasons, until this past May -- now, Jack
is back in the hands of the Chinese Consul, and "24" fans are
holding their breath until the new season this
January.
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'Friends'
Technically, every season of this hit show ended with a
cliffhanger except season two, but none tapped into the public
consciousness quite like Monica's wedding at the end of season
seven. While she prepares herself to walk down the aisle with
Chandler (Matthew Perry), the other
friends realize that the beau-to-be has vanished, and do their best
to hide things. Meanwhile, Rachel (Jennifer Aniston) and
Phoebe (Lisa Kudrow) find a
positive pregnancy test and wonder who the lucky mother will be --
one of them, or is it Monica (Courteney Cox Arquette)?
In the cliffhanger pantheon, it's the most memorable that any sitcom
has ever cooked up.
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'Dynasty'
Whatever "Dallas" would do, "Dynasty" would always try to do just
a little bit better. It seems like a no-brainer, then, that instead
of simply shooting one person, this drama about a Denver oil family
took a whole mess of machine guns to a room filled with their cast.
The coup in Moldova saw armed gunmen unleashing on the Carrington
family wedding of Amanda and European Prince Michael, but,
ultimately, the 1985 cliffhanger is most memorable for being one of
the biggest gyps -- after months of wondering how many cast members
would turn up dead, audiences were instead disappointed to learn
that it was merely a minor character (Billy Campbell) and a
guest star (Ali
McGraw).
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'Star Trek: The Next
Generation'
For sci-fi fans, few cliffhangers compare to the 1990 moment when
Captain Picard (Patrick Stewart) was
captured and turned into Locutus. The world was introduced to The
Borg, and comparisons to the original series suddenly became much
more credible. In real life, the plotline served as a valuable Plan
B in case Stewart's soon-to-be-negotiated contract talks broke down.
The months between seasons three and four saw Stewart's contract
being renewed, Picard surviving the cliffhanger and countless
newfound fans getting sucked in.
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'Lost'
Over the last half-decade or so, the cliffhanger has gone from an
occasional gimmick to something that feels almost mandatory for any
drama -- and none in recent memory has been more effective than the
mystery dropped on the island inhabitants of "Lost" at the end of
their hugely successful first season. After much discussion of the
mysterious hatch, Jack (Matthew Fox) and Locke
(Terry O'Quinn) dynamite
the door and peer inside, searching for everything from the
behind-the-scenes maneuverings of their dilemma to the possible body
of Jimmy Hoffa. What's inside there? Wouldn't you (and a couple
dozen million other people) like to
know.
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'Buffy the Vampire Slayer'
It's a show that inspired some of the most loyal followers in TV
history, so you might want to think twice before claiming that
season five's cliffhanger, "The Gift," is anything less than sheer
brilliance. Anyone outside the Buffy-zone will just start scratching
heads over mentions of Summers' blood or the Buffy-Bot, so suffice
it to say that Buffy (Sarah Michelle Gellar)
makes the ultimate sacrifice at the end of the episode. After a
brief glimpse of Buffy's gravestone, we're left pondering the bigger
questions: Is death the greatest gift one can give? Does a tragic
fate go hand-in-hand with the role of a hero? And most importantly
-- how the hell will Buffy get herself out of this
one?
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Larry Carroll is a
reporter for MTV News and a pop-culture junkie. His writing has
appeared on Web sites such as CountingDown, FilmStew, E!Online and
IGN Film Force. His merciless review of the film "Drumline"
continues to draw hate-spewing e-mails from marching band devotees
who resent his comment, "There's a reason why people go to the
bathroom during halftime."
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